FASHIONISTA ALERT | Treading the Ramp at a Fashion Show For a Good Cause

Me and Corazon Reyes, this year's Grand Marshall.

NEW YORK CITY |  Sarah Jessica Parker was not the only one who has sashayed down a runway for a charity ball gala in New York for a group called Friends in Deed.

This past September, another group also called Friends Indeed USA held its own charity ball, and it came right in time for Fashion Week in New York City. The event, which took place at World Astor Manor, showed off the Philippines’ rich fabrics and collections of four Manila couturiers: Edgar Madamba, Richard Papa, Edgar San Diego and Tony Cajucom.

Guess who was asked to tread the ramp modeling their stunning creations?

Madamba, Papa and San Diego are all active officers and members of the Fashion Designers Association of the Philippines. For the past decade or so, they have been traveling extensively as a team doing shows for the international and Filipino communities in key cities like New York, St. Louis, Syracuse, New Jersey, Maryland, Chicago, Florida, Los Angeles, Pasadena, Glendale, San Diego, and London (England). Their next stop after this New York show: Hawaii.

Corazon Reyes was the chair of the September 15th grand ball for Friends Indeed USA, the highlight of which was a parade of exquisitely designed collections by these Manila-based fashion couturiers. A nursing professional, Reyes is also this year's Grand Marshal for the Philippine American Friendship Committee during Philippine Independence Day and Friendship Parade. The grand ball was a strictly black-tie by-invitation-only event, with bow for the gents and formal long gowns for the women.

As for the fashion show itself, the women wore colorful ternos. And we, the men, wore contemporary variations of the Barong Tagalog. The producers of the show even held a couple of rehearsals for those of us who signed up to be models.

The Barong is an embroidered formal shirt, very lightweight and worn untucked (similar to a coat or dress shirt), over an undershirt. In lowland Christian Filipino culture, it is a common formal attire especially in weddings.

The term "Barong Tagalog" literally means "a Tagalog dress" in the Tagalog language; the word "Tagalog" refers to the ethnic group's traditional homeland in central and southern Luzon, and not their language. The Barong was popularized as formal wear by President Ramón Magsaysay, who wore it to most private and state functions, including his own Presidential Inauguration.

I hope you enjoy the photo album from our affair with high fashion. --rg

PROFILES IN ACTIVISM | FANHS-NY Outstanding Artist Award goes to actor/singer Liz Casasola of Broadway Barkada

Liz Casasola: FANHS Outstanding Artist Awardee

The beautiful actor and singer Diane Phelan, who most recently reprised the role of Tuptim in THE KING & I at Sacramento Music Circus and played the role of Laurey in Rodgers & Hammerstein's OKLAHOMA! at the Berkshire Theatre Group, has had a streak of successes this year. But she remembers a period when her career had gone fallow, and she was feeling down about her future. "Being a performer of ethnic heritage sometimes means there is less opportunity to perform," Phelan says.

Enter Liz Casasola, the New York actor, singer and producer who formed Broadway Barkada – a group of Filipino American artists who have performed on and off-Broadway and core member of Broadway Barkada.

"Liz has, on several opportunities, given me the chance to stretch myself as an artist as well as give Filipinos a voice by performing with Broadway Barkada," Phelan recalls. "The first time was particularly poignant for me because I was recovering from a long illness and was set to leave the business. I hadn't danced in a long time and didn't think I could continue. Liz encouraged me to participate in the dance concert; it gave me the confidence and strength to move forward. That very next month I was cast in a new show, and I know it was due to Liz's help."

Casasola is one of two artists whom the Filipino American National Historical Society (FANHS)'s New York chapter will honor with an Outstanding Artist Award for their integration of Filipino American culture in their respective artistry. (The other Outstanding Artist Awardee is the comedian Air Tabigue.)

Every year, at the start of the Filipino American History month of October, FANHS presents an annual community award to several individuals who have demonstrated commitment to the preservation of Filipino American history and the promotion of the Filipino American community of the metropolitan New York area. This year's kick-off the event, co-hosted by the Philippine Consulate General, is called “Opening Ceremonies.”  It takes place at the Philippine Center in Manhattan (556 Fifth Avenue, New York, NY), on Tuesday October 1 from 6:30-9:00 pm.

FANHS Metro NY chapter

Two of Casasola's cast mates from Pan Asian Repertory Theatre's 2009 production of Imelda: A New Musical sing her praises as well.

Actor/singer Brian Jose portrayed the part of Ninoy Aquino in the Pan Asian Rep musical opposite Casasola who played Corazon Aquino. Jose says, "There is no question in the Filipino performing arts community of New York that Liz is the glue that keeps us all connected. It's been a privilege to co-produce with her on Broadway Barkada productions and to see firsthand how her networking skills, passion for the arts, and her love of the Philippines have united the Filipino arts community and, in turn, have brought our culture and talent to the forefront of many New York stages."

Actor/singer Jaygee Macapugay has twice played the title role of Imelda Marcos: for Pan Asian Rep's musical and the Public Theater's hit immersive musical Here Lies Love. Macapugay can't help but underscore Casasola's role as a change agent.

" 'Everything you do must reflect your passion' -- if you've ever received an e-mail from Liz, you know that's how she signs off every message," Macapugay says. "Liz has adopted that philosophy in every aspect of her life, especially with Broadway Barkada. Liz has the gift of bringing people together.  Loving, conscientious, forward-thinking Filipino Americans who sincerely want to help bring about change in the community."

Often, rehearsals for Broadway Barkada shows take place at Casasola's home. "Our home," Jose says. "We are treated like family. We eat. We sing. We laugh and laugh and laugh. There is an instant comfort level that comes with knowing Liz. She puts you at ease, her words are genuine, and you feel like you've know each other for years. Her passion for the arts is palpable and inspires all of those it comes in contact with."

Like most artists avid for opportunity and not waiting for anyone else to hand it to them, Liz Casasola took charge of her own destiny. In the fall of 2009, she, Jose and Billy Bustamante formed Broadway Barkada, a group of New York-based Filipino actors, singers, and dancers who have professional credits in the performing arts.

Broadway Barkada

Macapugay says, "Liz told me once that the only qualification you need to be in the Barkada is to be real. My first memory with Liz and Broadway Barkada was as co-emcees for the 2010 benefit concert 'A Barkada Christmas,' where we raised $2,400 for the relief efforts in the Philippines, from the devastation of Typhoon Andoy.  The proceeds went to the PinoyMe Foundation, which micro-finances local business, and the San Juan Nepomuceno School, with the idea of helping the poor help themselves. Onstage or off, Liz has a passion for promoting the success of our people, whether at home or abroad. And that's just one of the reasons why Liz is one of my best friends."

I myself have been a recipient of Casasola's generosity of spirit. This past summer, for example, she went out of her way to reach out and ask if she could help me with a kapihan event I organized with the cast of Here Lies Love at Ugly Kitchen Restaurant in New York City. Together we co-hosted the afternoon, which included a meal and a discussion about the vexed legacy that Marcoses left behind.

What stays with me when I think of Liz Casasola are her achievements as a committed theater artist. In Pan Asian Rep's Imelda: A New Musical, she embodied the strength of spirit and the purity of the character of the role of Corazon Aquino. She was especially memorable in the show's 11 o'clock anthem, "Myself, My Heart," which lifted the show to inspiring heights.

She has also been an integral mover-and-shaker at Diverse City Theater where she produced a series of plays by women. She co-produced Lea Salonga's sold-out concert at Carnegie Hall in 2005. She stood out in a Sondheim concert at Lincoln Center and in the Obie Award-winning production of DOGEATERS at The Public Theater. She can be heard on Grammy-nominated band, Boukman Eksperyans' album. She held a sold-out concert at NY's famed Crash Mansion. On television, she has appeared in "Saturday Night Live" and "Sex & the City."

Where did her passion for theater come from? Hailing from Berkeley, Casasola is an acting graduate of the American Conservatory Theater in San Francisco and the American Musical & Dramatic Academy in New York City. She grew up watching musicals on TV. The definitive moment she knew she wanted to be in musical theater was when she played a 2-cassette tape given to her by a friend. It was the Miss Saigon soundtrack.

"I was completely blown away by the score, and particularly, the lead actress, Lea Salonga," Casasola recalled in an interview. "I was inspired by her voice and passion just from hearing the recording. My sister and I would play the soundtrack, and act out the scenes, even though we had never seen the show!"

Even then she was a versatile performer. Her sister played Kim, the lead actress, and she always portrayed Chris, the GI soldier. And she eventually did perform in MISS SAIGON.

Casasola's passion is connecting Filipinos to each other here in New York City. That makes her winning. Yet what makes her special is the reason she deserves to be celebrated this month by FANHS: her outstanding theatrical artistry.

Congratulations, Liz. -- rg

Me and Liz

NEW YORK DIARY | My Night With Jennifer Hudson at the Al Jazeera America Launch Party

Jennifer Hudson rocks Al Jazeera's launch party at Lincoln Center | Photo by RG

NEW YORK CITY | Fine. It was not an entire evening. It was a moment with Jennifer Hudson. It was memorable and spectacular though. Plus, it happened during a private party by Al Jazeera America.

Al Jazeera, one of the world's biggest media companies, started a new 24/7/365 cable  news channel in the U.S. and on Thursday September 19 threw a rockin' party at Alice Tully Hall at Lincoln Center to celebrate that launch. Out of sheer luck, I got invited to the launch party (at the very same space where I sometimes drop by to have coffee or meet with a colleague).

It was ironic, the thought that I would maybe meet the leaders of the Qatar-financed news organization. At the exact minute that Al Jazeera announced some nine months ago that it had about 104 job openings in New York, I brushed up my resume and applied to any number of positions. The network's site received a stack of 22,000 resumes and eventually hired between 400 and 500 people. Imagine new jobs in journalism! Offering living wages and old-fashioned benefits for grown-ups!

Needless to say, it was a numbers game. Nobody found the needle I left in the h.r. computer haystack.

I did relish the idea of going to @AJAM launch party, because the real strength of Al Jazeera lies in the diversity, plurality and even accents of its journalists. It has the potential to break the stronghold of homogenized news and pundit noise that swamps the U.S. news market. Fox News takes up views on the right. MSNBC leans toward the left. CNN drubs us with a diet of opinion-heavy coverage.

Defining its mission distinctively will be crucial for Al Jazeera to gain a foothold in the U.S, a goal that has so far eluded the upstart network funded by the emir of Qatar. I definitely would want to be part of a true revolution where the mission is to uncover political topics, cultural issues and humanitarian stories that are profoundly overlooked by the U.S. media and internationally.

At the launch party it became clear to me that Al Jazeera means serious business. That it is hungry to win in the U.S.. And that it has fought a public-relations problem borne out of an overseas reputation and entrenched stereotypes that frequently face upstarts from Middle East countries. At the launch party, as was the case in a recent Washington Post ad which the network took out, Al Jazeera America stressed and positioned itself as a network whose mission is to offer a fresh, fact-based and unbiased approach -- to deliver objective, balanced, in-depth news reporting on stories that matter.

Dozens of small screens along one wall flashed news trailers and colorful images as I entered the Alice Tully Hall lobby. These flashing screens led to a stage where a gigantic TV emitted that familiar glow of Yves Klein blue. At first subtle matrix-like patterns flowed into place. Then the islands of Manhattan skyscrapers came into view and filled the earth's horizon. Until finally cursive Arabic calligraphy danced into place, forming the decorative logo that represents the network's name.

Photo by RG

For the first hour or so, the menu was all American. One station served comfort food, including miniature hot dogs, bacon cheeseburgers and lobster rolls. Another station had succotash and shrimp gumbo. The bar was open, and drinks poured freely.  For dessert, caterers wheeled doughnut carts through the crowd. The pastries hung from hooks along the sides of the cart. The caterers served ice cream from the middle of the cart.

It was a big, private affair. A majority of the people who attended were newly hired employees of Al Jazeera America. Sports journalist Michael Eaves and TV anchor David Shuster were both there. Denver-based correspondent Paul Beban marveled at what he called "the magic doughnut cart" ("It's like a Christmas tree only waaaay better," he tweeted). TV news producer Kim Bondy could not help but steal a selfie with her and former CNN anchor Soledad O'Brian, who by the way was sweet and charming especially to students from Columbia University.

@kimbondy and me at the @ajam launch party!! pic.twitter.com/GpI6ks4Ep2
— Soledad O'Brien (@Soledad_OBrien) September 20, 2013

Eventually the bigwigs had their turn. Ehab Al Shihabi, Al Jazeera’s interim CEO, came up to the podium to praise his editorial team. A five-year veteran of Al Jazeera,  Shihabi has overseen the network’s more than 70 bureaus around the globe – the largest footprint of any news gathering organization in the world. "We are here tonight to do more than just celebrate our launch," he said.

Kim Bondy, Kate O'Brian, Soledad O'Brian and David Shuster

Kate O’Brian, the new President of Al Jazeera America, has full responsibility for defining and implementing the editorial strategy and operations across the network. “Al Jazeera America has been able to demonstrate that it can and will keep its promise to views,” said O'Brian who came from ABC News. “Al Jazeera America is really trying to tell the story of Americans, stories that effect Americans,” Ms. O’Brian said in the video.

The Acting Director General of Al Jazeera Media Network, Dr. Mostefa Souag acknowledged the reputation Al Jazeera has in the U.S. "I am extremely grateful to the media that has covered Al Jazeera America so extensively over the last nine months," he said. "Those who have reported and commented on what we have been doing have demanded facts and answers. We respect, appreciate and welcome feedback and hope it will continue. Regardless of how they perceive Al Jazeera, we want you to tell us our good things and our bad things. That's the way we learn. There is still more to do."

Al Jazeera America made a string of big, splashy hires. Former "NBC Nightly News” weekend anchor John Seigenthaler, who will serve as the primetime news anchor, had his turn on the podium. He said that he was thrilled to be part of this brand new journalism. Seiganthaler was an 11-year veteran of NBC News, reporting for all of its major programs and anchoring on NBC, CNBC and MSNBC. He reported on 9/11, Hurricane Katrina, the 2004 London bombings and a slew of other stories for the company during those years.

Unfortunately Ali Velshi, another former CNN talent, did not show up. But he appeared on the video presentation where he contrasted Al Jazeera’s real-news approach with the current cable-news model where the focus has instead been on the anchors, the anchors’ views and the opinions of the most excitable pundits who are frequently booked on TV.

The highlight of the evening was, naturally, Jennifer Hudson. The mega-star and pop-music icon was clad in a short, tight, long-sleeved black turtleneck dress. She performed several songs to the constant snapping of cellphone pictures. My favorite was her rendition of Al Green's "Let's Stay Together."

Michael Eaves saw me dance with Jennifer Hudson

During Hudson rendition of a Whitney Houston classic song, the American Idol alum came down from the stage to dance with the audience. She mostly shimmied from one fan to another. Then she spotted me. She sidled right up to me and we danced, real up-close and personal, for what felt like a blissful 30 minutes. (I'm sure it was not that long, but you know what I mean.) I tried my best to feature her when I danced beside her. I did not want to upstage her with any tricky moves. She was the star, after all.

To my surprise and delight Hudson did not move on to the next chump. As we gyrated together, she chose to stay with me until it was time for her to turn around to walk back up the stage. While we danced, she pointed the microphone at me several times so that we took turns singing! She was nice enough to rescue me when I forgot the lyrics. A total pro!

It was a great time, a very fun and memorable evening, even though by New York standards Al Jazeera America's one-month celebration was actually pretty tame stuff. Basically a lavish cocktail party for the friendly, hard-working employees who did not dare go too crazy in front of their bosses who had something to prove to American everywhere. They were on their best behavior.

Al Jazeera America launch party | Photo by Peter Wang

Later, some people came up to me to ask if I were a plant for the occasion. Well, no. I was just a guest who was loving Jennifer Hudson's great voice and stylish vibe. I thought it was classy that the Qatari-owned network pulled out all the stops by inviting her to their swanky party at Lincoln Center.

And I thought it was very canny of them to emphasize the “America” in the new channel's title. As we all exited the Lincoln Center for the Performing Arts, we all walked away with a party favor that was very much on-message: an individual apple pie. --rg


HERE IS Ehab Al Shihabi, Al Jazeera’s interim CEO, explaining his vision for the network at an Aspen Institute event:

PROFILES IN ACTIVISM | Meet Loida Nicolas Lewis, One of the World's 100 Most Influential Filipina Women Leaders

NEW YORK CITY |  Between now and October 4, 2013, Loida Nicolas-Lewis will stay on one message. As the lead producer of the New York premiere of NOLI ME TANGERE opera, Ms. Lewis will be hard at work raising funds for the show, raising awareness for it among the members of her vast network and doing her best to get as many people as possible to see this unique production.

With a book by Guillermo Tolentino and music by Felipe de Leon, the NOLI opera has been Ms. Lewis's baby project ever since saw it in a Chicago production and was appropriately wowed. It is the first full-length Western-style opera that the Philippines has produced. Based on Dr. Jose P. Rizal's important novel about the oppressive Spanish rule of the Philippines for 333 years, the NOLI opera performs October 4–6, 2013 at the Sylvia and Danny Kaye Playhouse at Hunter College.

Visit the official website of the NOLI ME TANGERE opera to purchase tickets or get more information: http://nolimetangereoperanyc.org/

Me and Ms. Loida Nicolas Lewis at the Asia Society

Ms. Nicolas-Lewis has been fervent about her building of support for the NOLI opera. What’s at stake goes far beyond ensuring the success of this stage production. If given the right level of support, the East Coast premiere of the NOLI opera could serve as a model for the globalization of Philippine classical music and theatrical performance. Can we promote and sustain the arts and culture we have created?  How do we U.S. Filipinos and Filipino Americans build, cultivate and engage passionate communities that will rally for arts and culture over materialism — for the perpetuation of Philippine art forms and musical literature that transcend language barriers?

"Nothing happens in the world if it does not happen in New York," Ms. Nicolas-Lewis said. “The Philippines has now shed its title as ‘Sick Man of Asia’ and is now considered a rising star. Our mother country [now has the third highest growth rate] in Growth Domestic Product for 2012. We extended a $1-billion loan to the International Monetary Fund to stabilize the economy of our former colonial master Spain. It is time for us Filipino Americans to show the world that we are a cultured people.”

Soon after the October premiere of the NOLI opera, Ms. Nicolas-Lewis will fly to San Francisco. Why? She has been tapped to speak at the Global Filipina Women: Power & Influence as part of the 10th Filipina Leadership Summit from October 24 to October 26, 2013 in San Francisco at the Mark Hopkins InterContinental Hotel.

Ms. Nicolas-Lewis will receive an award as among the 100 Most Influential Filipina Women in the World (FWN Global 100). The organizers of the Filipinas Women's Network has dubbed this working recognition award as "the ultimate showcase of the Filipino community’s most inspiring individuals in the private and public sectors, who exemplify innovation, femtorship, professionalism, empowerment and leadership." It is "an important initiative of Pinay Power 2020," says FWN Founder Marily Mondejar.

Last year, Ms. Nicolas-Lewis was named "China's newest public enemy Number 1." As the national chair of the US Pinoys for Good Governance, she held a press conference in Manila on July 14 to announce a worldwide campaign to “Boycott Made in China Products.”  She explained that her group's call for the global boycott of all kinds of China-made products was a way of matching China's diplomatic and military arrogance in claiming ownership of the Scarborough Shoal and the Kalayaan group of islands in the West Philippine Sea.

"We have to internationalize the issue," she said, noting the rich oil resources in those islands. "Who will share this black gold? Who will share the natural gas?"

China’s government-controlled media fired back with a newscast calling on the Chinese people to boycott a chain of convenience stores in China believed to be owned by Ms. Nicolas-Lewis. She used to own a Cayman company that operates retail convenience stores in four Chinese cities: Xiamen, Chengdu, Suzhou and Guangzhou. Unfortunately for her former Chinese business partners who bought out her ownership interest in the “Beatrice” stores – at a substantial discount – several years ago, the China authorities are boycotting a wholly-owned Chinese business.

Here is a video of an NTD.TV newscast of Ms. Nicolas-Lewis articulating her political cause:



This past August, Ms. Nicolas-Lewis spoke again at an intimate conversation with the Filipino American Press Club of New York. In the following video, prepared by New York Balita and shot at the Jeepney GastroPub, she explains her political stance to a group of mostly young people and interested insiders:

BIOGRAPHY | Loida Nicolas Lewis served as Chair and CEO of TLC Beatrice International, a $2 billion multinational food company with operations all across Europe, from 1994-2000. She assumed the leadership of one of the largest companies in the U.S. after the death of her husband, the African-American, Wall Street financier Reginald F. Lewis, and won over a skeptical business community by moving quickly to sell assets including the corporate jet, paying down debt, downsizing the New York corporate staff by 50 percent and increasing earnings. After successfully running the company for six years, she completed the sale of TLC Beatrice and its related businesses in 2000, achieving a 35 percent on investment for its shareholders.

In 1987, her late husband, Reginald, a Harvard Law graduate, had bid for and won the international operations of Beatrice International in a $1 billion leveraged buyout that at the time was the largest of its kind. In 1992, he was listed by Forbes Magazine as among the 400 wealthiest Americans. In 1995, Loida appeared on the cover of Working Woman magazine as the Top Business Woman in America.

Currently, Loida is Chair and CEO of TLC Beatrice, LLC, a family investment firm. A lawyer by profession, admitted to practice in the Philippines and New York, she was the first Filipina woman to pass the New York bar without attending law school in the United States.

After having won her discrimination case against the US Immigration and Naturalization Service in 1987 and been awarded three years pay back, Loida served for ten years as General Attorney with the INS. She co-authored "Hot to Get A Green Card," now in its 10th edition and a best-seller in its genre.

Loida is Chair of the Reginald F. Lewis Foundation, which has donated millions of dollars to Harvard Law School, the Reginald F. Lewis Museum of Maryland's African-American History and Culture, and Virginia State University. There is a Reginald F. Lewis International Law building at Harvard and the Reginald F. Lewis School of Business at Virginia State University.

She also supports Asian American Legal Defense and Education Fund, Asian Pacific American Legal Center, Asian Pacific Islander Coalition on HIV/AIDS, Asian Pacific American Film, Asian American Arts Alliance, Asian American Federation of New York, Asian American Foundation, Diversity Theater and Ma-Yi Theater.

Loida was recently elected to the Board of Directors of the National Catholic Reporter and the Apollo Theater Foundation.

She has two daughters, both cum laude A.B. graduates of Harvard University; Leslie is an actor and Christina is a freelance writer following a five-year stint as a columnist for the Wall Street Journal. She has three grandchildren, Christian, Savilla, Calvin and two sons-in-law, Gavin Sword and Dan Halpern.

INTERNATIONAL JOURNALISM SEMINAR | Is it worth reporting names and naming extremely sensitive areas that could put LGBT at real risk?

You don't have to take my word for it.

You can read all about the seminar I organized on international journalism story coverage of LGBT issues and human rights from a two-time NLGJA Excellence in Journalism Award winner who attended the session.

A former radio journalist and a first-time novelist who won an NLGJA Award for a radio conversation between Edmund White and David Leavitt, writer David Swatling looks back on his experiences at this year's NLGJA National Convention and 9th LGBT Media Summit entitled "Boston: Uncommon."  Swatling somehow found time to jot down his thoughts about the panel discussions and breakout sessions he attended in Boston while he was participating in a mystery writers' convention soon after the NLGJA convention.

You see, Swatling has just completed writing his first novel Calvin's Head, a psychological thriller set in Amsterdam where he is based.

Roberta Sklar (IGHLRC), Jeb Sharp (PRI's The World), Charles M. Sennott (Global Post), Michael Luongo, me, Kevin Douglas Grant (Global Post)

Swatling attended numerous sessions at the NLGA 13 conference. He especially liked a session about gay comic book artists and another session on how the media can serve LGBT people over the age of 50. He also attended the session I organized.

In an August 31, 2013 post entitled "Uncommon Community," Swatling reports:

The conference began with the 9th LGBT Media Summit – a day of networking and breakout sessions focusing on strategies for the future. After a breakfast plenary that examined the early days of LGBT community newspapers as remembered by the men and women who established them, I opted for the panel assembled by Randy Gener on International LGBT Story Coverage. After all, I live in Amsterdam most of the year, had worked for international radio, and have been writing about developments concerning the Russian anti-gay laws for the past five months. 

After cordial introductions, the discussion got somewhat scrappy. Roberta Sklar, communications director of the International Gay & Lesbian Human Rights Commission, urged caution in extremely sensitive areas where the “right to existence” was at stake. The traditional reporting of names and locations could put lives at risk. But Charles M. Sennott, editor and co-founder of GlobalPost, said he wrestled with the notion of “being careful.” Was he naïve to believe in the power of truth? A difficult question, one writer and photographer Michael Luongo faces often in his reporting, especially in the Middle East. He stressed that being a gay journalist gave him access to stories he felt needed to be told. And he’s willing to take responsibility for sources who get in trouble for talking to him.

Read more of Swatling's experiences here at http://davidswatling.wordpress.com/2013/08/31/uncommon-community/

His post includes a superb video profile of Michael Luongo, NLGJA's Journalist of the Year 2013 Award winner. In addition to being a revealing introduction to Luongo's conflict-based reporting as a freelancer, the video seems to me a perfect video resume. Surely a major news operation will have the guts to hire Luongo full time after watching this video. Soon after Boston, Luongo flew to Kurdistan where he is now reporting.

Here is the video about how he puts himself in harm's way to get the best story he can find:


As Swatling suggests in his post, the seminar I organized highlighted the healthy tension between international journalists and human-rights advocates. Is it worth naming names of LGBT people whom journalists cover? Are the LGBT media really covering the reality on the ground, or are they making LGBT lives in other countries worse and more dangerous by naming names and by creating an echo chamber of aggregated news and LGBT stories. Should the media tone down the volume?

To which I add: What about the stories of hope and resilience? Might the LGBT Media also produce restorative narratives that honestly and seriously inquire into the possibilities of empowerment and human strength? Can international journalism on LGBT issues and human rights also express revitalization and reveal opportunities in disruption?

On a personal note, thank you to these wonderful panelists who went out of their way to speak at my panel:
1) KEVIN DOUGLAS GRANT, a founding member of The GroundTruth Project and the Deputy Editor of Special Reports at GlobalPost;
2) MICHAEL LUONGO, 2013 NLGJA Journalist of the Year Award recipient and author of "Gay Travels in the Muslim World" and "Frommer’s Buenos Aires"
3) CHARLES M. SENNOTT, the Vice President, Editor-at-Large and co-founder of GlobalPost;
4) JEB SHARP, producer of the public radio program PRI’s The World, a radio news magazine; and
5) ROBERTA SKLAR, a veteran of social justice media campaigns and the Communications Director and Press Secretary of the International Gay & Lesbian Human Rights Commission.

If you are interested, I prepared an "International Journalism Seminar Resources File and Tool Kit" that serves as a handout for the session. It is available on the NLGJA website at at http://www.nlgja.org/2013/international-story-coverage.

However, there is a more current and updated version of this PDF document, which you can download at http://euroacademia.academia.edu/RandyGener. It includes a PDF document from the Bureau of Educational and Cultural Affairs (ECA) which outlines its LGBT priorities. Thanks to the U.S. State Department for  providing me with that ECA document. Attitudes and tolerance toward LGBT persons vary from country to country, just as they vary among U.S. cities and states.

The US State Department has launched a newly created LGBT Travel Information Page to help LGBT travelers be prepared and research their destination before they go. Visit it here.